Monthly Archives: December 2011

Enchanters Would Like the Look

Check out the new appearance, organization, and artwork for The facelift features a cleaner look with easy links of the left side of the page. The blog posts now show tags and other info on a crisp white background to make them easier on the eyes.

The banner artwork has also changed to capture the spirit of Lita’s fantasy worlds. All you’ll need to travel to Sye is one of Lita’s books and the willingness to go on an adventure. You can find Lita most days at the Isor Enchanter School. If she’s not there, GrandMaster Sahn can cast a spell to find Lita if she’s out on an errand at the fish market with one of the School’s dragonettes, or searching for talkative ghosts in Isor’s Old Church Catacombs.

Review: The Hobbit

The Hobbit
The Hobbit by J.R.R. Tolkien

The Hobbit is a long-time favorite story from the master of the epic fantasy genre. Against all odds, a very small hobbit goes on a journey and along the way meets with trolls, a dragon, and other dangers.

View all my reviews

The Length of the Wand Matters Not

6 Critical Elements for Fantasy World Building (Part 3)

Books Are a Portable Magic

Books Are a Portable Magic

This is the third of a 3-part blog post about building rich fantasy worlds to immerse your readers. In part 1 we looked at two “big picture” elements: maps and politics. Part 2 was a “medium” view about wimpy food and eavesdropping.

This time we’ll talk about a couple of “detail” topics: the decorative apostrophe, and why it’s no fun for wizards to just wave their wands and rule the world.

5. Pesky Punctuation

What is it with the apostrophe and names in F/SF worlds? Sometimes an otherwise fine story leaves me with a mental jaw-ache trying to sound out names like Kr’stben’lok’zmrz’lorr. What do the apostrophes mean? Do they represent guttural stops (like tongue clicks), pauses to breathe during long names, or are they decoration because F/SF names are exotic?

Words Are the Heart of Your Story

Words Are the Heart of Your Story

Maybe you’re using two English language rules for the apostrophe: possessive (usually with an s added), or contractions (deleting letters like in can’t). Good ‘ole Kr’stben’lok’zmrz’lorr doesn’t seem to use apostrophes for those reasons. Must be for decoration.

In the Sye world for Wrath and Tredan’s Bane, the apostrophe creates a contraction–it shows omitted letters or spaces. For example, the formal name of Lanith’s dragonette is Seri Drracon’el Arnl’jhott Vatter’sang. Literally translated, it means: Seri (Sir or Mister), Drracon (dragon), ‘el (shortened form of mel, meaning “diminutive” or more precisely, a dragonette or small dracon), Arnl (frightens), jhott (eagles), vatter (water), and sang (song). So in Sye’s vernacular, her dragonette’s full name is Water Song Who Frightens Eagles. The first time you meet him, use his formal name. After that, you can call him Arnl’jhott.

6. Length of the Wand

Wizards, magicians, and Sith Lords have an annoying stereotype. How realistic is it for them to wave their wands and have magic spout from their fingers like lightning? Really? If I could wave my wand and blast anything just by really wanting it, then there would be lots of burned-out cars littering my road to work (taking the One Ring to Mordor would be easier than my morning commute).

The Length of the Wand Matters Not

The Length of the Wand Matters Not

Where do these magic workers get the willpower? I can more readily believe in the Loch Ness Monster than I can a wizard who keeps his tempter and doesn’t create flash-fried steak from a stubborn apprentice.

Please, let’s make magic real. At least have it make sense and give the all-powerful magic workers some limitations. I’ve tried to do so in my own novels. In Sye, the Enchanters are the most powerful of magic workers because they create the magical essence that everyone else uses. As a new Enchanter’s ability to create essence increases, he/she also becomes less able to defend against magical attack.

Enchanters also have their delightful side. Just cuddle up get an essence kiss from one of them. Their magic tastes like chocolate-cinnamon-peppery spice (see part 2). Be sure to ask before you touch, otherwise you risk becoming flash-fried steak. A warning–you’ll be tempted, but don’t bite.

Who knows? They might think you can control yourself well enough to become an Enchanter’s Consent. Then you can get all the kisses and magical essence you want.

Readers Love to Eavesdrop

6 Critical Elements for Fantasy World Building (Part 2)

This is the second of a 3-part blog post about building rich fantasy worlds to immerse your readers. In part 1 we looked at two “big picture” elements in building a fantasy world: maps and politics.

Today we will take a “medium-sized” view and see why meat and grog are wimpy. We’ll also learn how to speak in tongues.

3.  Proper Menus

We are what we eat. This is also true for your fantasy world people. Engage all of your reader’s senses in the story. Don’t limit yourself to feeding your people the typical fantasy grub of turkey legs and ale. Or roast beast and grog.

Make Your Reader Taste the Chocolate

Make Your Reader Taste the Chocolate

To put your reader in your fantasy world, tell them how the food smells and tastes.  For example, describe the odors of a restaurant’s cooking food as your hero hurries by on his early morning appointment with the wizard’s school headmistress. Make him hungry so his mouth waters at the smell of coffee and griddle cakes. Or perhaps he’s queasy from last night’s hangover and the greasy-food odor nauseated him.

You can also evoke a mood by listing flavor combinations. In Tredan’s Bane, I wanted to let the reader know how magic tastes to Lanith. The Enchanter’s magical essence has the flavors of chocolate, cinnamon, and a hint of peppery spice. The Church magicians taste like mint, dark chocolate, and rich liquor. The flavor of Lanith’s essence kisses aren’t too bad, either. Or so the Maji’kers tell me.

What is a Maji’ker, you ask? Ah, let’s speak in tongues next.

4.  Linguistics for Magicians

Your readers love to eavesdrop. Story dialogue is a treat you should give throughout your entire story. How your story people use vocabulary in their thoughts and speech will show whether they are well-spoken or a hack. Is your wizard precise or sloppy in his word choice? It can show your readers how good of a magic worker he really is.

Readers Love to Eavesdrop

Readers Love to Eavesdrop

In Wrath, it was necessary to show Tredan as a skilled magic worker who knew the proper names for magical implements and constructs. Magicians (vernacular is Maji’kers) store their magical power in an internal repository called an Essence Cache. Tredan was bewitched by an Enforcer’s Compulsion Charm (which is different from the gentler Glamour Charm). Note my use of caps to show proper nouns. In Tredan’s world of Sye, magicians refer to their magic craft with precise vocabulary. None of this imprecise “the place where Tredan stores his magical essence” blather. It’s his Essence Cache.

Next time, let’s talk about the decorative apostrophe, and why it’s no fun for wizards to just wave their wands and rule the world.